Wednesday, January 13, 2010

R.I.P. Jay Reatard




I'm still unsure of what to say about the news today that Jay Reatard had died in his sleep. Sometime between the last Lost Sounds' final album and his "Blood Visions" album, Jay really seemed to hit his stride. When it was released, "Blood Visions" became one of my favorite things ever, to the point that between me and my friends it felt like it was on a turntable or it was blasting through somebody's speakers constantly. I finally caught Jay Reatard live during South by Southwest a few years ago, packed into a sweaty, heaving mass inside Beerland. The band was rapid-fire and on-point. Fifteen minutes later, it was over. Reatard, alongside Billy and Stephen of the Barbaras, perfected this cut-you-up-and-duck-into-the-night performance style. It was captivating. In a way, it had a real old-school vibe to it, where the band leader calls out a random tune and the other musicians better have the chops to pull it out on the spot. Jay and his band did, nightly.

In March 2008, Reatard was scheduled to play in Omaha, opening for the Black Keys. I quickly scheduled an interview for the Omaha Reader and ended up talking to Jay in March 2008. Unfortunately, the story is no longer online but one quote does stick out. As we talked about the band's live show and how they would jump one song right after another with Jay barking out a title, Jay expressed that

“We just don’t dick around like a lot of bands,” he said. “I like to make it one big cathartic experience and it’s over.” He wanted to play well, hit all the marks and there were nerves getting on stage about it going right. But it was also about making it a quick, memorable hit of adrenaline, he said.

“We just don’t dick around like a lot of bands,” he said. “I like to make it one big cathartic experience and it’s over.”

It was, Jay. And over much, much too soon.

Tuesday, January 5, 2010

Doom Town Records

Watch this space. Doom Town!

Todd Stup (Shanks, et al) and Ethan Jones (too many bands to mention) are putting out Baby Tears first release via Jones' new Doom Town label. Doom Town, also headed up by Justin O'Connor, will be focusing on very limited releases. There's a pretty 80's underground rock ethic for ya.

Baby Tears' demo songs were the first step into a Lester Bangs' fever sweat of caustic, loud speed-freaked junk rock and the history of those two guys promises more basement-bred brilliance of the very loud kind.

Thursday, December 31, 2009

New Year, Savior yourself

Brimstone Howl, Digital Leather, the Dinks, Box Elders, Noah's Ark Was a Spaceship. Thank you for making Omaha's rock music culture seem less decayed. Atrophy by way of acoustic, indie tripe shouldn't be tolerated.